Driving through the Egyptian desert along the Red Sea, hotspotting a MacBook while typing reports in the back seat because being offline for a three-hour flight is a luxury that a risk analyst cannot afford. Other times, it’s realising that Kizomba, a dance you once learned in the vibrant streets of Dakar, Senegal, somehow exists in different forms across the continent and is a gateway to connecting with people in communities as you travel. This is the life of Maya Hautefeuille. In one decade, she’s a photojournalist in the Middle East, documenting the Syrian revolution and the aftermath of the Arab Spring. In the next, she is a senior analyst, uncovering the intersection of politics and economics within African countries for 14 NORTH, a company providing insights and business intelligence for Africa’s frontier and emerging markets. Staying close to communities in what Hautefeuille labels as being ‘on the ground’ has helped her realise that places that are very misunderstood from the outside. “I like to make sense of places [and] help people make better decisions ultimately,” she said. “Maybe that came across in how I was raised, and I grew up a bit mixed and all over the world.” Building bridges from Japanese classrooms to French social movements Born to an American-Japanese mother and a French father, Hautefeuille spent most of the first decade of her life in Japan, shaped by education from a school built to overcome the trauma of the Second World War, and under a curriculum imbued with peacemaking philosophies. According to Hautefeuille, the learning emphasis leaned towards students being good global citizens, as opposed to a strong micro-focus on being nationalistic to their respective countries. “There’s nowhere else on earth where they taught [me] those things and made it as though it should be your life mission to be a good citizen of wherever you are and build your bridges,” she said. Hautefeuille would later live out what it meant to be a global citizen, moving to the United States when she was 10, then a year later to France, and eventually Australia and across Asia. She spent her late teens in her home country, France, where she observed the country punctuated by social movements and protests. “I was very into politics and questions of power…and inspired by movements that claimed to be about liberation,” she said. Being ‘on the ground’ in France also fuelled Hautefeuille’s interest in Africa and the Middle East, specifically due to France’s historical relationship with North Africa, and post-colonial movements that had taken place in Africa. “If I hadn’t gone to France,” she admitted, “I wouldn’t have been able to see these things at a closer level.” And so, in 2007, Hautefeuille pursued a Bachelor’s in African studies at Columbia University in New York. She was only there for a year, but it was a turning point for how she viewed the world. Relearning power with Mahmood Mamdani Studying under professors like Mahmood Mamdani, an Indo-Ugandan anthropologist, academic, and political commentator, with whom she resonated because of his multicultural background, Hautefeuille was introduced to new ways of thinking about power and history. “I had one teacher who really impressed upon me,” she recalled. “The way he taught his theories is very different, and because he always brought an identity element [to his teachings], being an Indian-African and part of liberation movements.” However, in search of a school that she felt encompassed African studies more holistically, she transferred to the School of Oriental and African Studies (SOAS) in London the next year. At SOAS, she learned Swahili and Arabic, regarding language as the crucial infrastructure for understanding the Indian Ocean trade, which linked East African city-states to Middle Eastern countries such as Arabia and Persia. Before her master’s program, between 2008 and 2009, Hautefeuille had hitchhiked without public transportation or a personal vehicle from France to Touba, the spiritual capital of Senegal, travelling through Spain, Morocco and Mauritania. That early, gritty immersion to study the Mouridiya Sufi brotherhood, an Islamic order, served as her first experience with the country, and it was not an easy journey. “[I stayed] with Senegal families whose life revolved around that holy city, the mosque, the rituals, the sharing of food, the cooking of the food, the greeting of the marabus. It was like a very regulated lifestyle around the mosque.” After completing her studies in 2011, she began her master’s at the same school in the same year till 2012, but this time in Middle Eastern studies. While her degree was within the Middle Eastern studies department, her focus remained firmly on West Africa. Hautefeuille was drawn to the program for a very specific reason: the study of Senegalese religious movements. Her field ‘’Anthropology/Sociology of Religions’’ was hosted in that department, and she intended to study Senegalese Sufi movements through that lens. After she completed her master’s, Hautefeuille moved to East Jerusalem for a post-graduate research internship in a British/Palestinian studies centre. It was a period in the Middle East that marked the beginning of her photojournalism. Hautefeuille in East Jerusalem. Image Source: Maya Hautefeuille From late 2013 to 2018, Hautefeuille was based on the Turkish-Syrian border, sometimes in Palestine, in Lebanon, where she strengthened her command of Arabic, all the while documenting migration and hospital bombings as a freelance photojournalist and advocate. Hautefeuille photographed for Al Jazeera and Danwatch. Her interest in photojournalism stemmed from the urge to document and understand the relationship between power, people, and identity. “In conflict, you’re seeing really impactful things, and I had had an urge to document that,” she said. “So I started with journalism.” But as December 2018 closed in, while Hautefeuille continued advocacy work on Syria, she began feeling professional fatigue as the conflict stalled. And soon, she was yearning for the life she had once experienced in Senegal once more. Trading rituals of the Touba for the rhythm of Dakar By April 2019, Hautefeuille returned to Senegal. But this time, to Dakar. Where she
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